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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - 120B-6 Watermelon Pink it is the complementary color Behr - P440-7 Mermaid Sea. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - 120B-6 Watermelon Pink. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - 120B-6 Watermelon Pink: Behr - 120B-6 Watermelon Pink, Behr - 140B-5 Flamingo Dream, Behr - 120B-5 Candy Coated, Behr - 130A-3 Ballerina Pink and Behr - PPH-33 (HISP) Ramo De Claveles

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - 120B-6 Watermelon Pink. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - 120B-6 Watermelon Pink: Behr - 120B-6 Watermelon Pink, Behr - P150-5 Kiss And Tell, Behr - P140-6 Hibiscus Flower, Behr - 130B-7 Cherry Wine and Behr - S-G-150 Ruby Ring

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

Complementary color

CMYK 68 / 0 / 14 / 50

HEX #297F6D

RGB 41 127 109

HSL 167.44, 0.51%, 0.33%

LAB 47.95, -30.04, 2.33

Behr
P440-7 Mermaid Sea

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137 1

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

CMYK 0 / 43 / 42 / 7

HEX #EE888B

RGB 238 136 139 1

HSL 358.24, 0.75%, 0.73%

LAB 67.76, 39.12, 15.55

Behr
140B-5 Flamingo Dream

CMYK 0 / 33 / 29 / 6

HEX #EF9FAA

RGB 239 159 170 1

HSL 351.75, 0.71%, 0.78%

LAB 73.58, 31.18, 6.57

Behr
120B-5 Candy Coated

CMYK 0 / 26 / 25 / 3

HEX #F7B6BA

RGB 247 182 186 1

HSL 356.31, 0.8%, 0.84%

LAB 80.05, 24.11, 7.26

Behr
130A-3 Ballerina Pink

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137 1

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

CMYK 0 / 52 / 47 / 15

HEX #D86773

RGB 216 103 115 1

HSL 353.63, 0.59%, 0.63%

LAB 57.6, 45.42, 14.66

Behr
P150-5 Kiss And Tell

CMYK 0 / 55 / 50 / 26

HEX #BC555E

RGB 188 85 94 1

HSL 354.76, 0.43%, 0.54%

LAB 49.49, 42.32, 15.22

Behr
P140-6 Hibiscus Flower

CMYK 0 / 61 / 51 / 31

HEX #B04556

RGB 176 69 86 1

HSL 350.47, 0.44%, 0.48%

LAB 44.46, 45.05, 12.84

Behr
130B-7 Cherry Wine

CMYK 0 / 62 / 59 / 37

HEX #A03D41

RGB 160 61 65 1

HSL 357.58, 0.45%, 0.43%

LAB 39.9, 41.41, 19.2

Behr
S-G-150 Ruby Ring

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137 1

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

CMYK 0 / 45 / 43 / 15

HEX #D9787C

RGB 217 120 124 1

HSL 357.53, 0.56%, 0.66%

LAB 61.34, 38.08, 14.7

Behr
P160-4 Juicy Details

CMYK 0 / 40 / 50 / 12

HEX #E08771

RGB 224 135 113 1

HSL 11.89, 0.64%, 0.66%

LAB 65.25, 31.77, 26.36

Behr
200D-5 Guava Jam

CMYK 0 / 28 / 48 / 12

HEX #E1A175

RGB 225 161 117 1

HSL 24.44, 0.64%, 0.67%

LAB 71.41, 18.66, 32.27

Behr
M220-5 Roasted Seeds

CMYK 0 / 25 / 47 / 12

HEX #E0A777

RGB 224 167 119 1

HSL 27.43, 0.63%, 0.67%

LAB 72.77, 15.23, 32.95

Behr
280D-4 Caramel Sundae

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137 1

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 20 / 13 / 70

HEX #4C3D42

RGB 76 61 66 1

HSL 340, 0.11%, 0.27%

LAB 27.48, 7.51, -0.6

Behr
T18-04 Nocturne Shade

CMYK 0 / 51 / 41 / 50

HEX #7F3E4B

RGB 127 62 75 1

HSL 348, 0.34%, 0.37%

LAB 34.93, 29.5, 5.21

Behr
120D-7 Ruby Red

CMYK 0 / 47 / 41 / 31

HEX #B05E67

RGB 176 94 103 1

HSL 353.41, 0.34%, 0.53%

LAB 49.76, 34.15, 9.93

Behr
130D-5 Rhubarb

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137 1

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

CMYK 0 / 1 / 49 / 12

HEX #E1DE73

RGB 225 222 115 1

HSL 58.36, 0.65%, 0.67%

LAB 86.75, -13.31, 52.35

Behr
400B-4 Citron

CMYK 48 / 20 / 0 / 12

HEX #75B5E1

RGB 117 181 225 1

HSL 204.44, 0.64%, 0.67%

LAB 71.05, -8.67, -28.42

Behr
P510-4 Electra

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137 1

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

CMYK 27 / 0 / 47 / 21

HEX #93C96A

RGB 147 201 106 1

HSL 94.11, 0.47%, 0.6%

LAB 75.46, -34.08, 41.73

Behr
430B-5 Apple Orchard

CMYK 37 / 29 / 0 / 21

HEX #7F8FCA

RGB 127 143 202 1

HSL 227.2, 0.41%, 0.65%

LAB 60.27, 8.78, -32.31

Behr
P540-5 Pansy Garden

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137 1

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

CMYK 0 / 1 / 49 / 12

HEX #E1DE73

RGB 225 222 115 1

HSL 58.36, 0.65%, 0.67%

LAB 86.75, -13.31, 52.35

Behr
400B-4 Citron

CMYK 44 / 0 / 0 / 18

HEX #75CFD0

RGB 117 207 208 1

HSL 180.66, 0.49%, 0.64%

LAB 77.85, -26.64, -8.92

Behr
P460-3 Soft Turquoise

CMYK 37 / 29 / 0 / 21

HEX #7F8FCA

RGB 127 143 202 1

HSL 227.2, 0.41%, 0.65%

LAB 60.27, 8.78, -32.31

Behr
P540-5 Pansy Garden

CMYK 0 / 48 / 40 / 11

HEX #E37689

RGB 227 118 137 1

HSL 349.54, 0.66%, 0.68%

LAB 62.59, 44.12, 9.2

Behr
120B-6 Watermelon Pink

CMYK 13 / 0 / 40 / 18

HEX #B6D27E

RGB 182 210 126 1

HSL 80, 0.48%, 0.66%

LAB 80.48, -23.02, 38.54

Behr
420B-4 Tart Apple

CMYK 44 / 0 / 0 / 18

HEX #75CFD0

RGB 117 207 208 1

HSL 180.66, 0.49%, 0.64%

LAB 77.85, -26.64, -8.92

Behr
P460-3 Soft Turquoise

CMYK 29 / 31 / 0 / 23

HEX #8C87C5

RGB 140 135 197 1

HSL 244.84, 0.35%, 0.65%

LAB 58.91, 15.85, -31.52

Behr
MQ4-29 Brocade

Description

Color code: Behr - 120B-6 Watermelon Pink | qconv.com Color code: Behr - 120B-6 Watermelon Pink | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 118 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 118 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 40 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 40% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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